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PRODUCTION HISTORY FOR NIGHT LUSTER
Bay Area Playwrights Festival, 1985
Director: Alma Becker
With:
Ellen McLaughlin
Roma Maffia
David Lawrence
Mike Gottlieb
John Everett
Winner of the San Francisco Chronicle's "Bernie" Award for 10 Best New Plays
Bernard Weiner for the San Francisco Chronicle
- Sales Rank: #410712 in eBooks
- Published on: 2012-01-21
- Released on: 2012-01-21
- Format: Kindle eBook
Review
Everything that could go right did Tuesday at the Bay Area Playwrights Festival production of Laura Harrington's "Night Luster."
The author, a member of New Dramatists in New York, has written a compelling play - about a call girl named Mink, who, almost against her will, falls in love with one of her clients.
With great sensitivity, director Alma Becker has gotten everything out of the text - and the unspoken drama behind the words as well. And holding the entire 75-minute production together is a brilliant performance by Ellen McLaughlin as Mink.
This is one of those rare instances where the long-sought new "voice" is apparent. Harrington's use of language is original - Mink primps for "the shine of the street," her boyfriend Sharkey complains that when people see his scarred face they "read ugly." The author's ability to create emotion-charged scenes with a minimum of words is remarkable...
McLaughlin's Mink is done superbly, making the viewer want to know more about both the character and the actress - no mean feat. Mink has a silky-smooth voice that barely emerges from the clenched jaws of a confirmed cynic. Mink herself hardly can believe that she's falling in love, and she's ready to "go deep" with Joey, until her own problems get in the way. (McLaughlin also created the bluesy, jazzy tunes the characters sing from time to time.)
No doubt, this play will make its way into that full production later. For those who want to see it at an early stage, still red-hot from the playwright's forge, it has two more performances at the festival.
-Bernard Weiner of the San Francisco Chronicle
About the Author
Laura Harrington is the 2008 Kleban Award winner for most promising librettist in American Musical Theatre. Harrington has twice won both the Massachusetts Cultural Council Award in playwriting and the Clauder Competition for best new play in New England.
Additional awards include a Boston IRNE Award for Best New Play, a Bunting Institute Fellowship at Harvard/ Radcliffe, a Whiting Foundation Grant-in-Aid, the Joseph Kesselring Award for Drama, a New England Emmy, and a Quebec Cinemateque Award.
Some recent credits include: Joan of Arc (music: Mel Marvin) Nautilus Music Theatre, MN 2011; Alice Unwrapped, (music: Jenny Giering), a Premieres, Inc Production at The Zipper Factory, NYC, 2008, Nautilus Music Theatre, MN, Spirit in the House Festival, MN, Minneapolis Fringe Festival, 2009; Crossing Brooklyn (music: Jenny Giering) Transport Group, NYC, 2007, Pace University, NYC, 2008, Bristol Riverside Theatre, PA, 2010; Resurrection, (music: Tod Machover) adapted from Tolstoy's last novel, Houston Grand Opera and Boston Lyric Opera, and many more!
Laura teaches playwriting at MIT where she was awarded the 2009 Levitan Prize for Excellence in Teaching. She has also been a frequent guest artist at Tufts, Harvard, Wellesley, and the University of Iowa.
Laura has recently published her debut novel, Alice Bliss, with Pamela Dorman Books, Viking/ Penguin. Alice Bliss is a "People Pick" with 4 out of 4 stars, has been chosen as "The Best Books of the Summer" by Entertainment Weekly, and has been selected for the Barnes & Noble "Discover Great New Writers" program. School Library Journal named Alice Bliss to its "Best Books of 2011" list. Foreign rights have been sold in the UK, Italy and Denmark. Read more at: lauraharringtonbooks.com
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